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She turned her audacious lens on herself, and shaped the future


She turned her audacious lens on herself, and shaped the future
Laura Aguilar, Los Illegals, 1984. Gelatin silver print, 11 x 14 inches. Courtesy of the artist and the UCLA Chicano Studies Research Center © Laura Aguilar.
by Holland Cotter
(NYT NEWS SERVICE)
.- It feels good — a relief — to know that photographer Laura Aguilar, who died in 2018, lived long enough to see her fine career survey, which opened a year earlier in her hometown Los Angeles and has now, at last, landed in New York.
It’s a movingly, sometimes discomfortingly intimate show. To know Aguilar’s art is, to an unusual degree, to know her, and to care about her, and to care about what she cared about: under-the-radar, under-threat social communities and hard-won personal survival. ....

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