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Contemporary Czech Animation: The Digital Revolution


Video of Michaela Pavlatova - Reci Reci Reci (1991)
In the days when computers were not widely available, animators had to be much more thorough in their work in many regards. Every detail had to be carefully planned if one did not want to lose time because there was not an unlimited amount of trial versions. As Pavlátová explains, this advantage that modern technology provides had both a positive and negative impact on filmmaking.
“The positives definitely prevail. But I should also mention the negatives. One of them is the beloved ‘undo’ button. It allows you to keep on altering your work forever. And you can make an unlimited number of versions. That’s both an advantage and a disadvantage. Sometimes it’s easy to lose yourself in it. As for the negatives, before computers were used, I could, and had to, remember a whole film. You really had to think it through well because you didn’t want to animate something which would not be used. As for the work itself, ....

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Slovak Film Institute at Clermont-Ferrand Online


Third year in a row, Slovak Film Institute will attend the Short Film Market under the umbrella name Central European Cinema shared with the Czech Film Center and the Slovenian Film Centre.
Euro Connection is the European Short Film Co-production Forum taking place each year at the Clermont-Ferrand Short Film Market. This business platform aims at fostering partnerships between European production companies for short film projects. In collaboration with the European correspondents, a dozen producers are also invited to be in the Producers Focus.
This year, Slovakia is represented by an animated short film project
Tourists (d. Mária Kralovič), included into the final line-up thanks to the nomination through the Slovak Film Institute. ....

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How Czech Animation Managed the Pandemic Year 2020 And What Lies Ahead This Year


How Czech Animation Managed the Pandemic Year 2020 And What Lies Ahead This Year
Last year, the Covid-19 pandemic hit all creative industries, and animation was no exception. Many domestic and foreign festivals, where premieres take place and distribution cooperation is negotiated, have been cancelled or moved to the online environment. How did Czech animation creators cope with the limitations and new challenges?
As early as in March, the Association of Czech Animation Film responded to the crisis with a statement, proposing steps to strengthen the segment of domestic production of animated content, especially of series, so that the Czech Republic can disengage economically from the dominant focus on live action film, thus boosting a significant sector of creative industries which may largely exist and work online. ....

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