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It s actually accomplishing what we always started out wanting to do, that this would not just be what some would refer to as a one-and-done, or a Kumbaya moment where OK, we sang, we held hands, now everybody go back home. This is a commemorative year . even into the fall with Tulsa Ballet doing a full production and bringing African American artists and dancers from New York and an African American choreographer for a full production about the history of Greenwood, said Phil Armstrong, project director for the 1921 Tulsa Race Massacre Centennial Commission. This is the beginning. This is not just a time when we do this and never talk about it again. This is a launchpad: Every year we are going to look forward to commemorating and having some type of event that remembers and honors this history. ....
It had to happen someday. Wednesday evening, longtime Cincinnati Ballet artistic director Victoria Morgan announced that she will retire at the end of the 2021-22 season, her 25th year at the head of the company. Given Morgan’s continued vitality and enthusiasm for the position, the announcement, made as part of the company’s annual meeting, came as something of a surprise. But 25 years is an unusually long time to lead any company, let alone one demanding such a constant outpouring of creativity. “I’m a big believer in that old adage about going out on top,” said Morgan. “The company is about to move into a new building and we’re financially stable. So I don’t have to worry about the health of the company. The years that I’ve been here have been intense and full of passion and joy and love. I’m a happy camper.” ....
Nashville Ballet Returns With Live Performance at Ascend Amphitheater Paul Vasterlingâs Posters bring the company back to the stage Tweet PostersPhoto: Karyn Kipley Photography Following a year of canceled performances and a successful pivot to virtual programming, Nashville Balletâs return to the stage feels significant on many levels. After all, this is not only the companyâs first live, in-person performance in more than a year â itâs also the companyâs first outdoor performance in Nashville. Plus, itâs an opportunity to revisit not one, but two compelling works. But for artistic director Paul Vasterling, itâs the simple act of gathering that feels most momentous. ....
“There is poetry to starting where we left off.” These words from Pittsburgh Cultural Trust Vice President of Marketing, Communications and Broadway Programming Marc Fleming are a perfect way to describe the return of the Pittsburgh Cultural Trust’s PNC Broadway in Pittsburgh series. It will kick off with “The Band’s Visit” the final show to play the Benedum Center before much of its run was canceled in March 2020 due to the pandemic. “More than half of the audience members who purchased tickets were unable to attend the show in 2020 due to the shutdown, and we couldn’t be more excited to bring the show back to complete its run and raise the curtain again for Broadway in the Cultural District,” Fleming said in a statement. ....
Choreographers Andrew McNicol, Yury Yanowsky, and Jennifer Archibald Contribute to Signature Series publicradiotulsa.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from publicradiotulsa.org Daily Mail and Mail on Sunday newspapers.