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"Herselves" Makes Motherhood a Work of Art


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In an experimental documentary, Kristy Choi sets out to understand who her mother was before she was a mother.
Who were our mothers before they became our mothers? This is the animating question behind Kristy Choi’s experimental documentary film “Herselves,” which explores both who Choi’s mother was and who she could have been. As Choi grew more interested in filmmaking and storytelling, she began to realize how little she knew about her mother’s life as a young woman. The facts she had were sparse. She knew that her mother had lost her father before immigrating to Los Angeles, that after arriving she had lived with her older sister, and that at some point she met Choi’s father and moved out East. But she had never probed the why and how of her mother’s journey. Before she had got married, before she had given birth, before she carried the dual, weighted identities of wife and mother, who had she been? ....

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Life After Lynching in "Ashes to Ashes"


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In “Ashes to Ashes,” the artist Winfred Rembert and the activist and physician Shirley Jackson Whitaker reckon with the living legacy of racist violence in America.
Sometimes the artist Winfred Rembert can’t sleep at night. His wife, Patsy, says that it has to do with his work. “Whenever he do one of those pictures, he gets sick,” she explains. “He has to double up on that medicine in order to get some rest.” Rembert first draws his scenes, full of faces and patterns, on paper, then carves the images onto a sheet of tanned leather by hand, texturing the surface with tools that look almost surgical, before filling in the etchings with vivid dyes. His paintings depict scenes of Black life in the Jim Crow South, and making them means dredging up painful memories from his youth, when he worked in cotton fields and on a prison-labor chain gang. Some artworks are healing or serve as sources of hope, Rembert says, i ....

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