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Tribeca Film Festival, South Bay Film Society to screen Redondo filmmaker’s “Lorelei”
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by Neely Swanson
“Fairy tales can come true. They can happen to you, when you’re young at heart.” And no one has a younger heart than 75-year-old Redondo Beach resident Arnold Zimmerman who has just had a fairy tale come true. Against seemingly insurmountable odds, he has a film opening June 19 at the Tribeca Film Festival. Written and directed by Sabrina Doyle,
was executive produced and nurtured through the filmmaking process by Zimmerman.
It all started with a dream, a story, a filmmaker who listened, and a vision that they shared.
South Bay Film Society’s Randy Berler. Photo by Bondo Wyszpolski
Cinematic ebb and flow
The South Bay Film Society has returned to the AMC Rolling Hills 20, but will their rental agreement be feasible to keep it there?
by Bondo Wyszpolski
Nine years ago, Randy Berler inaugurated the South Bay Film Society with a screening of “Three Colors: Red,” and he sold out his entire allotment of 200 tickets. As the near-weekly series continued, Berler was eventually selling twice that amount and more. But on March 11 of last year, he announced that for the unforeseeable future he’d shown his last film. Subsequently, the AMC Rolling Hills 20 went dark, along with movie theaters across the country and even around the world.
Abruptly came the foreshortening of much was one of the pandemic-inspired paintings that Scott Trimble created early in the year, and long before we knew what was in store for us. Visually, it kind of sums up the year that was, doesn t it?
“Abruptly came the foreshortening of much” was one of the pandemic-inspired paintings that Scott Trimble created early in the year, and long before we knew what was in store for us. Visually, it kind of sums up the year that was, doesn’t it?
The Great Intermission
Postponed, delayed, cancelled… but the show will go on
This wasn’t at all what we expected a year ago, but life deals the cards and we play the hand we’re given. Many individual artists were able to adapt, whereas galleries, theaters, and other venues struggled to find ways to deliver the goods. It was a big year for Zoom, although for most people Mr. Computer Screen was a poor substitute. I’ve tried to give a snapshot in the images that follow of what tried, s