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Poetry Today: Sarah Ann Winn and Melissa Crowe « Kenyon Review Blog



Melissa Crowe is the author of 
Dear Terror, Dear Splendor (University of Wisconsin Press, 2019). Her work has appeared in the 
Baltimore Review, Crab Orchard Review, Four Way Review, POETRY, and 
Thrush, among other journals. She coordinates the MFA program at the University of North Carolina Wilmington, where she teaches courses in poetry and publishing.
INTRODUCTION 
Certainly there are things I wish my younger self didn’t have to wait so long to discover about writing that emotional power lies, so often, in the most unassuming, daily, and personal of details; that compression is a superpower; that formal constraint can give rise to freedom, sometimes (almost paradoxically) by limiting the field of choices, sometimes by forcing a revelation the freest verse would let us avoid. Honestly, though, I think my young self might have some things to tell ....

United States , Kasey Jueds , Lisel Mueller , Sylvia Plath , Denise Levertov , Maxine Kumin , Melissa Crowe , Claire Wahmanholm , Rick Hanson , Elizabeth Bishop , Cortney Lamar Charleston , Gertrude Stein , Denise Bergman , Adrienne Rich , Marilyn Hacker , Audre Lorde , Amanda Gorman , Threa Almontaser , Pablo Neruda , Emily Dickinson , Benjamin Garcia , J Bailey Hutchinson , Katie Ford , Aaron Caycedo Kimura , Daniel Arias , Langston Hughes ,

Academy : A Public Space


Online, Zoom •
Sundays, May 23–June 27, 2021
For some of us, an unblank page is scarier than a blank one. Many writing workshops encourage us to improve a composition through revision, which only characterizes a draft as a mess of problems to be solved. But what if revision were a playful experiment, not a search for solutions? What if our motivation were curiosity, not fear of failure? In this workshop, perfectionism is banned. Results are secondary: what matters is process. Participants will approach a single text with multiple modes of revision to release the hidden story inside the story, sharpen the story’s friction and energy, discover metaphor, and make the language more singular and alive. Light reading and writing homework. Experiments will be shared aloud in class. ....

United States , Anne Elliott , Stories Blue Light Books Indiana University , Blue Light Books , Indiana University Press , Ploughshares Solos , Crab Orchard Review , Bellevue Literary Review , Public Space , ஒன்றுபட்டது மாநிலங்களில் , அன்னே எலியட் , இந்தியானா பல்கலைக்கழகம் ப்ரெஸ் , நண்டு ஆர்சர்ட் விமர்சனம் , பெல்வ்யூ இலக்கிய விமர்சனம் , பொது இடம் ,