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Poetry Today: Sarah Ann Winn and Melissa Crowe « Kenyon Review Blog



Melissa Crowe is the author of 
Dear Terror, Dear Splendor (University of Wisconsin Press, 2019). Her work has appeared in the 
Baltimore Review, Crab Orchard Review, Four Way Review, POETRY, and 
Thrush, among other journals. She coordinates the MFA program at the University of North Carolina Wilmington, where she teaches courses in poetry and publishing.
INTRODUCTION 
Certainly there are things I wish my younger self didn’t have to wait so long to discover about writing that emotional power lies, so often, in the most unassuming, daily, and personal of details; that compression is a superpower; that formal constraint can give rise to freedom, sometimes (almost paradoxically) by limiting the field of choices, sometimes by forcing a revelation the freest verse would let us avoid. Honestly, though, I think my young self might have some things to tell ....

United States , Kasey Jueds , Lisel Mueller , Sylvia Plath , Denise Levertov , Maxine Kumin , Melissa Crowe , Claire Wahmanholm , Rick Hanson , Elizabeth Bishop , Cortney Lamar Charleston , Gertrude Stein , Denise Bergman , Adrienne Rich , Marilyn Hacker , Audre Lorde , Amanda Gorman , Threa Almontaser , Pablo Neruda , Emily Dickinson , Benjamin Garcia , J Bailey Hutchinson , Katie Ford , Aaron Caycedo Kimura , Daniel Arias , Langston Hughes ,

Hobart :: Of Course Not All Men Find Music Again


In a hotel room in the 90s, a Japanese man hired by the Opera to repair Chinese-made violins is crouched over a mess on a grey rug, thinking: maybe I could turn these 12 violins into a house and live there until everyone knows my name. He is new to Cairo, and anonymity gnaws at his hair and bones like bugs. Across bridges and on the fringes of the desert, 12 boys wait impatiently for their instruments. The man wanders the tone-deaf streets, looking for spare parts for ancient instruments that had been crafted to work only underwater. Every time he visits a carpenter, he holds his breath, empties a large bottle of water over his head, and waits for any of the objects to make a sound. More often than not he is met with silence. Just a wet man surrounded by stunned men, their saws in the air. Once or twice, a knob or a sliver of wood launches into brief song around his dampened body. Both times he comes back to his breath, grabs the parts, and runs out. The boys coil old, worn socks ....

New York , United States , Al Qahirah , Columbia University , New York University , Sara Elkamel , African Poetry Book Fund Akashic Books , Nimrod International Journal , York University , African Poetry Book Fund , Akashic Books , Michigan Quarterly Review , Four Way Review , Best New Poets , Djanikian Scholar , Adroit Journal , Narrative Magazine , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , கொலம்பியா பல்கலைக்கழகம் , புதியது யார்க் பல்கலைக்கழகம் , நிம்ரோட் சர்வதேச இதழ் , யார்க் பல்கலைக்கழகம் , மிச்சிகன் காலாண்டு விமர்சனம் , நான்கு வழி விமர்சனம் , சிறந்தது புதியது பொவெட்ஸ் ,