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Ridley Scott s Hannibal is a carnival geek show elevated in the direction of art. It never quite gets there, but it tries with every fiber of its craft to redeem its pulp origins, and we must give it credit for the courage of its depravity; if it proves nothing else, it proves that if a man cutting off his face and feeding it to his dogs doesn t get the NC-17 rating for violence, nothing ever will.
The film lacks the focus and brilliance of The Silence of the Lambs for a number of reasons, but most clearly because it misplaces the reason why we liked Hannibal Lecter so much. He was, in the 1991 classic, a good man to the degree that his nature allowed him to be. He was hard-wired as a cannibal and mass murderer, true, but that was his nature, not his fault, and in his relationship with the heroine, FBI trainee Clarice Starling, he was civil and even kind. He did the best he could. I remember sitting in a restaurant with Anthony Hopkins as a waitress said, You re Hannibal ....

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