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Clint Eastwood s True Crime follows the rhythm of a newspaperman s day. For those who cover breaking news, many days are about the same. When they begin, time seems to stretch out generously toward the deadline. There s leisure for coffee and phone calls, jokes and arguments. Then a blip appears on the radar screen: an assignment. Seemingly a simple assignment. Then the assignment reveals itself as more complicated. The reporter makes some calls. If there s anything to the story at all, a moment arrives when it becomes, to the reporter, the most important story in the world. His mind shapes the form it should take. He badgers sources for the missing pieces. The deadline approaches, his attention focuses, the finish line is the only thing visible, and then facts, story, deadline and satisfaction come all at the same time. A deadline reporter s day, in other words, is a lot like sex. Eastwood uses this rhythm to make True Crime into a wickedly effective thriller. He plays Stev ....

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