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'Bangladesh can learn about blockchain regulations from others'

Blockchain: a foundation for sound, secure, and safe digital infrastructure


3rd Jul 2021
The genie of digital transformation is out of the bottle and wherever it cast its spell, it brought about phenomenal changes. From global competitions on robotics to freelancing on international platforms, the youths of the country put their best foot forward to chase their dream. But, the nation is now eyeing another paradigm shift – a transition from individual feats to a well-defined and holistic digital infrastructure. Recently, I ran through an in-depth article, printed in the CRI’s policy-based magazine WhiteBoard, under the title ‘Lessons Bangladesh can learn from others about blockchain regulation’. As an entrepreneur in the technological sphere, I found it particularly intriguing since the threshold level of proving mastery in the IT arena has already been crossed and the challenge lying ahead for the youths is to develop a solid understanding of the underlying technologies that power the digital infrastructure. One of those methods is blockchain, ....

El Salvador , Morshed Mannan , Shahjalal University Of Science Technology , Bangladesh Computer Council , Communication Technology , Lessons Bangladesh , Primavera De Filippi , Global South , Fourth Industrial Revolution , State Minister , Zunaid Ahmed Palak , Shahjalal University , Computer Council , எல் சால்வடார் , ஷாஜலால் பல்கலைக்கழகம் ஆஃப் அறிவியல் தொழில்நுட்பம் , பங்களாதேஷ் கணினி சபை , தொடர்பு தொழில்நுட்பம் , ப்ரிமேவெர டி பிலிப்பி , உலகளாவிய தெற்கு , நான்காவது தொழில்துறை புரட்சி , நிலை அமைச்சர் , ஷாஜலால் பல்கலைக்கழகம் , கணினி சபை ,

NFTs and the 'Art' world: panic and possibility


Blockchain-based works such as Plantoids by Primavera De Filippi help us imagine the consequences of organising social systems through automated, gamified, incentive mechanisms
Image: courtesy of Furtherfield
Beeple and Christie’s recently minted and sold their first NFT work of art for millions of dollars worth of cryptocurrency. We know that NFTs (Non-Fungible Tokens, or blockchain-based units of authenticity) make the digital internet ownable, which is making artists, commentators and early-adopter collectors alike lose their minds over potential new wealth. But the reality is much more nuanced and dangerous.
The move by Christie s et al into cryptoart is a sign of the stagnating established Art world markets and associated industries finding new ways of manufacturing wealth (and highly launderable wealth at that). However, viewed through this lens the only relevant characteristic of this type of “Art” is its capacity to act as a vehicle ....

Crispin Nfts , Ailie Rutherford , Cassie Thornton , Primavera De Filippi , Non Fungible Tokens , Western Art , Decentralised Autonomous Organisations , Sarah Friend , Sterling Crispin , Crypto Art , Live Action Role Play , அழிய ரதர்ஃபோர்ட் , காசி தோர்ன்டன் , ப்ரிமேவெர டி பிலிப்பி , மேற்கு கலை , சாரா நண்பர் , ஸ்டெர்லிங் மிருதுவான , கிரிப்டோ கலை , வாழ நடவடிக்கை பங்கு விளையாடு ,