Belraha -
بالراحة, would have emerged no matter where she spent her last semester, Dempsey says. Still, living in Cairo offered her a creative opportunity she couldn t have seized upon in Canada. From a photographic point of view, it s definitely been really fun to just be able to go to the desert, says Dempsey. This selection, a self-portrait, was taken in the Wadi Degla Protectorates. The pictures make it look really remote, says Dempsey. It s actually roughly 30 minutes from the city, and it can be kind of popping on some weekends, she laughs.
Still, desolate landscapes figure strongly in her final body of work. That image, it kind of encapsulates the feeling of being alone, says Dempsey an idea she relates to the broader metaphysical quandary that her project pokes at, namely what sort of ethnic identity or space I occupy.
Adventure Time creator Pendleton Ward. The show uses conversations from the
Duncan Trussell Family Hour podcast to serve as each episode s backbone. Trussell voices the lead character Clancy, a 20-something who lives in a technologically advanced universe. In every episode he travels to a new world using his malfunctioning multi-verse simulator, and because it s on the fritz, every place he goes is experiencing some sort of apocalypse. Visually, these animated worlds are something out of a fever dream. And at every stop on Clancy s journey, he gathers content for his spacecast, talking to anyone who is willing.
Released on Netflix on April 20, a show about a character travelling to apocalyptic dimensions felt somewhat fitting. With COVID-19, our world feels flipped upside down, as the majority of us have lost our sense of normalcy. Many of us feel uncertain about our future and maybe a little existential. Personally,