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Partnerships between researchers, policymakers and practitioners improve early childhood education


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New York, NY Research-practice partnerships (RPPs), long-term collaborations between researchers, policy makers and practitioners, represent an especially promising strategy for making sure that all children benefit from early childhood education, according to a journal released today by Princeton University and the Brookings Institution.
The journal,
Future of Children, edited by Daphna Bassok of the University of Virginia and Pamela Morris of New York University s Steinhardt School, argues that RPPs are crucial for solving today s most pressing question in early childhood education how to deliver high-quality prekindergarten programs at scale.
Too often there is a disconnect between the questions researchers tackle and the ones that are more urgent and salient for policy makers or practitioners, said Bassok. The findings from rigorous, well-designed research studies may not be particularly useful for addressing the real-life complexity that educator ....

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Nora Abrams and Amy Whitaker Talk NFTs at the MCA Denver


When a JPG file sold for $69 million in March this year, people responded with a mixture of amusement, outrage and utter confusion. Who was Beeple? What made his constellation of mostly undecipherable pixels valuable? And what in the world was this new technology called an NFT?
Non-fungible tokens (NFTs) have enjoyed extensive media coverage since Beeple sold his digital collage, “Everydays The First Five Thousand Days,” through the esteemed auction house Christie’s. While the technology behind NFTs has existed since the mid-2010s, Beeple’s high-profile sale facilitated by the same auction house that has sold famous and pricey works by Francis Bacon, Pablo Picasso and Leonardo da Vinci pushed conversations about NFTs into the mainstream. Since then, music albums, tweets and opinion columns have all been sold as NFTs often with exorbitant price tags attached. ....

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An Art Advisor, an Art Handler, and Other Cultural Workers Reflect on How Their Professional Lives Changed in 2020


Art Handler magazine founder Clynton Lowry. Photo by Maayan Strauss
The last two months of 2019 I began working part-time at [New York gallery] Salon 94. They hired me to be their “freelance art handler” every Thursday and Friday. I was doing condition reports in a tiny storage space inside an art warehouse near the Brooklyn-Queens Expressway. I worked there right up until the stay-at-home order.    
The warehouse had a crew of guys who were in a metal band who the owner had assigned to more or less run the place. They looked like some Bushwick version of
Duck Dynasty. They perfected that art-handler aura of barely visible disdain for the artwork and obsessive focus on the task. It was just a means to an end, enough money for beer and rent and maybe gas money to go on tour, which was the same for me, except I had no car, no band, and no plans of going anywhere.   ....

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