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A Shape of Things to Come Gives Radical Individualism a Close-Up


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Although not quite as avant-garde as one might expect from its opening and closing images,
A Shape of Things to Come is a pleasant hangout movie. It begins with solarized black-and-white drone shots of the Sonoran Desert as ominous ticking fills the soundtrack. It ends with its subject, an extremely off-the-grid man who calls himself Sundog, smoking DMT extracted from toad venom. As his trip intensifies while he lies in the grass, the film abandons its representation of nature for hand-painted animation, segueing into the closing credits.   
The new documentary from directors Lisa Marie Malloy and J.P. Sniadecki is far more concerned with day-to-day experience than it is with explaining Sundog as a character. He occasionally talks to himself, but the film’s halfway over before he lays out his personal philosophy, which is exactly what you would expect: He wants to enjoy life amid nature without having to work a 9-to-5 job. The contradictions c ....

United States , Leonard Bernstein , Lisa Marie Malloy , Nicolas Pereda , Joshua Bonnetta , Richard Straus Don , Sonoran Desert , Richard Straus Don Quixote , ஒன்றுபட்டது மாநிலங்களில் , லியோனார்ட் பெர்ன்ஸ்டீன் , லிசா மேரி மலாய் , ரிச்சர்ட் ஸ்ட்ராஸ் தாதா , ஸொக்ஸாயரந் பாலைவனம் , ரிச்சர்ட் ஸ்ட்ராஸ் தாதா குயிக்சோட் ,

Richard Strauss's Don Quixote best recordings


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Few cellists identify more fully with the fragile mentality of Cervantes’s knight than Paul Tortelier. He had played
Don Quixote under Strauss, and recorded it three times. This recording is his second and finest. Although he’s fully engaged with the score’s bravura moments, it’s the more introspective passages which benefit most from Tortelier’s portrayal. And so, the Epilogue is no tragic death scene but a dignified ‘bowing out’. Fully restored to sanity, our aged hero’s dying soliloquy is played simply and tenderly, with no hint of bathos.
Elsewhere, Tortelier is quite capable of letting his hair down, whether tilting at windmills, ‘rescuing’ maidens in distress or harassing harmless monks. He’s also a great team player – the cello/viola dialogues with the excellent Sancho Panza of Giusto Cappone are a joy. Holding the reins is that most urbane of great conductors, Rudolf Kempe who, as one-time principal oboist with the Lei ....

Richard Strauss Don , Don Quixote , ரிச்சர்ட் ஸ்ட்ராஸ் தாதா , தாதா குயிக்சோட் ,