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Special to the Daily Grammy Award-winning guitar duo Rodrigo y Gabriela, who recently released “Jazz EP,“ announced their upcoming performance schedule which features a Sept. 3 show at the Gerald R. Ford Amphitheater in Vail. The duo performed at The Amp’s 30th anniversary event in August of 2018 to sold-out crowds. Tickets go on sale to the public May 21 at 10 a.m. at grfavail.com for the September show. Rodrigo y Gabriela will perform in Vail before going on tour across the country. Rodrigo y Gabriela’s “Jazz EP“ is limited to 3,000 hard copies worldwide that are individually numbered as well as available online. Their recently released interpretation of ”Street Fighter Mas“ by tenor sax giant Kamasi Washington and their sublime interplay with flamenco-guitar legend Vicente Amigo on Astor Piazzolla’s timeless “Oblivion” have helped introduce their guitar interplay to a whole new world of music fans. Today, they get to hear the duo’s disti ....
Rodrigo y Gabriela’s first release of the new decade, the JAZZ EP further includes distinctive covers of Snarky Puppy’s “Lingus” and Kamasi Washington’s “Street Fighter Mas,” the latter of which is available now at all DSPs and streaming services; a celestial performance video is streaming now at YouTube. KCRW s Morning Becomes Eclectic posted the song, naming it as “Today’s Top Tune,” writing, “Guitar virtuosos Rodrigo y Gabriela have…recreated the LA jazz maestro’s ‘Street Fighter Mas’ with just two guitars. It may sound stripped down, but we don’t lose any of the song’s intricacies.” ....
Rodrigo y Gabriela announce Jazz EP gratefulweb.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from gratefulweb.com Daily Mail and Mail on Sunday newspapers.
As the music’s final notes disappeared into the steep walls surrounding Poudre Canyon, they were replaced by a new sound. Cheering. But not your obligatory Oh, the show’s over so I should clap now type of cheering. This was heartfelt and raw. Michael Morgenstern shook his head in amazement. From his perch behind the lighting console at the Mishawaka Amphitheatre the famed venue tucked a few sharp bends up the Poudre River from Fort Collins the audiovisual engineer was working his seventh concert in ten days, including Halloween. This November 7 spectacle was the penultimate performance of an eight-show run, and every night the small crowds just over 100 people socially distanced around tables and huddled by fire pits to keep warm had danced and cheered with abandon. Only tonight their adulation seemed next-level. The crowd was going completely nuts. Then again, he’d seen similar reactions many times while collaborating with the headliner: Everyone goes nuts ....