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The displayed work is based on the motif of Showa era lifestyles. Born in Kanagawa Prefecture in 1980. Ph.D. Film and New Media Studies at the Graduate School of Film and New Media, TokyoUniversity of the Arts. Stayed in New York as grantee of the Asian Cultural Council(ACC) in 2019. Tsuda focuses on creative work based on the characteristics of video. Recent group exhibitions include Inter+Play: Arts Towada 10th Anniversary Exhibition Part 1 (Towada Art Center, Aomori) in 2020, Aichi Triennale 2019: Taming Y/Our Passion (Aichi), Roppongi Crossing 2019: Connexions (Mori Art Museum, Tokyo). Solo exhibitions include Trilogue (TARO NASU, Tokyo) in 2020, Observing Forest (Zarya contemporary art center, Vladivostok) in 2017. ....
Expressing the "past" and the "future" of Tokyo in a new Media Art exhibit will open at Tokyo International Cruise Terminal on July 7 asiaone.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from asiaone.com Daily Mail and Mail on Sunday newspapers.
Panayiotou on how the French artist’s sculptures ‘look straight into the eyes of the viewer’ ‘Christodoulos Panayiotou on Pierre Leguillon’s Fetishistic Objects’ is the first in a series of articles in which we asked nine artists to chose a colleague whose work has been on their mind. 1. Eyes are seeing organs; they provide vision. Hands are grasping organs; they make. Sometimes, eyes make do with things that hands make and, at other times, hands make just to be viewed. Often, hands fail to do, but succeed to make. I have always admired Pierre Leguillon’s work: a vicious cycle of short circuits, in which seeing and making gloriously fail to keep any promise of stability. His ‘Museum of Mistakes’ (2013–ongoing), which collects items from posters to folk art, is a protest against the authoritativeness of value. Leguillon might be the opposite of a fetishist. ....