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Getty Trust President & CEO James Cuno to Retire


Getty Trust President & CEO James Cuno to Retire
LOS ANGELES, California
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James Cuno, President and CEO of the J. Paul Getty Trust, © 2011 J. Paul Getty Trust
International arts leader and scholar James Cuno announced plans to retire from his post as the president and CEO of the J. Paul Getty Trust, after a decade at the helm of one of the world’s largest philanthropic organizations dedicated to visual arts and cultural heritage.
“It has been my honor to serve this tremendous organization, and to play a small part in expanding its mission to broaden and deepen our understanding of the human experience through the visual arts,” Cuno said.  “It has been incredibly fulfilling to see the impact of our collective work in conservation, research, museum presentation, and philanthropy, and I am so grateful to the many dedicated staff and volunteers who make it all possible ....

United States , Los Angeles , Thelma Golden , John Moors Cabot , Mario Vargas Llosa , Lorna Simpson , Frank Gehry , Ed Ruscha , David Lee , Jim Cuno , James Cuno , Agnes Gund , Jacob Rothschild , Mary Beard , Anselm Kiefer , Richard Serra , Kavita Singh , Renzo Piano , Ellsworth Kelly , Yo Ma , Board Of Trustees , Getty Patron Program , Arts Recovery Fund , Dartmouth College , Aesthetics Of Jawaharlal Nehru University , Hood Museum Of Art ,

Buttressing perseverance from a distance


Caption:
Alexander-Katz (left) is an associate professor in MIT s Department of Materials Science and Engineering, where he leads the Laboratory for Soft Materials. Caroline Jones is a professor in the History, Theory, Criticism (HTC) section of MIT s Department of Architecture. Jones studies modern and contemporary art, focusing on its technological modes of production, distribution, and reception.
Credits:
Photos: Karim Gadelrab (left) and Gretchen Ertl
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Stressful transitions are endemic to graduate school. Professors Alfredo Alexander-Katz and Caroline Jones have been honored as “Committed to Caring” for reliably supporting students, and for helping them to endure and even thrive amidst difficulty. ....

Caroline Jones , Alfredo Alexander Katz , Faculty Peer Mentorship Program , Harvard University Art Museums , Laboratory For Soft Materials , York Museum Of Modern Art , Office Of Graduate Education , Department Of Materials Science , Stanford University , Department Of Architecture , Materials Science , Mentoring Guidepost , New York , Modern Art , Harvard University Art , Graduate Education , Caroline Jones , It Committed To Caring , கரோலின் ஜோன்ஸ் , ஆசிரிய பியர் வழிகாட்டல் ப்ரோக்ர்யாம் , ஹார்வர்ட் பல்கலைக்கழகம் கலை அருங்காட்சியகங்கள் , ஆய்வகம் க்கு மென்மையான பொருட்கள் , யார்க் அருங்காட்சியகம் ஆஃப் நவீன கலை , அலுவலகம் ஆஃப் பட்டதாரி கல்வி , துறை ஆஃப் பொருட்கள் அறிவியல் , ஸ்டான்போர்ட் பல்கலைக்கழகம் ,

Oops! A New Documentary About the Knoedler Fakes Scandal Accidentally Included an Artist's Trick Image as Real


Pollock 1950 # 1, 2002. Courtesy the artist.
Artist Joe Fig was just looking to unwind with his wife by tuning into Netflix last weekend when he got a shock.
They settled into
Made You Look: A True Story About Fake Art, an engaging documentary (
Variety calls it “lively and fascinating”) that recounts the scandal of a century. New York’s Knoedler & Co. gallery had survived a Civil War and two World Wars over more than a century and a half, until an unassuming Long Island woman, Glafira Rosales, started showing up with paintings supposedly by Robert Motherwell, Jackson Pollock, and Mark Rothko with no paperwork and a mysterious (and changing) backstory, available for way less than market rates. ....

New York , United States , Long Island , Hans Namuth , Marjorie Cohn , Robert Motherwell , Ann Freedman , Mark Rothko , Petah Coyne , Chuck Close , Pei Shen Qian , Alice Neel , Glafira Rosales , Kate Gilmore , Jackson Pollock , Barry Avrich , York Knoedler Co , York Foundation For The Art , Harvard University Art Museums , Artist Joe Fig , Made You Look , True Story About Fake Art , Civil War , World Wars , Made You , Photo Joe ,