Discovering Arabic music, harnessing Jewish piyutim

In this interview for the Magazine, Ziv Yehezkel talks about his love of Arabic music and the power of singing piyutim, especially during slihot and the High Holy Days.

Related Keywords

Tunisia ,Tel Aviv ,Israel ,Cairo ,Al Qahirah ,Egypt ,Morocco ,Nazareth ,Ha Afon ,Ramallah ,West Bank General ,West Bank ,Dubai ,Dubayy ,United Arab Emirates ,Iraq ,Lebanon ,Syria ,Jerusalem ,Israel General ,Iraqi ,Egyptian ,Moroccan ,Syrian ,Tunisian ,State Of Israel ,Israeli ,Kfar Anna ,Salima Murat ,Noomane Chaari ,Naomi Shemer ,Shlomo Ibn Gabirol ,Igal Ezraty ,Hurshat Haeucalyptus ,Eli Grunfeld ,Ziv Yehezkel ,Nasrin Kadri ,Bnei Brak ,Yom Kippur ,Breslov Hassidim ,Rosh Hashanah ,Fredi Zadok Farid Sadeq ,Farid El Atrash ,Al Jazeera ,Alsheikh Music School In Tel Aviv ,Arab Orchestra ,Jerusalem Orchestra East ,Jerusalem Symphony Orchestra ,Israeli Andalusian Orchestra ,High Holy ,Eucalyptus Grove ,Yahalom Theatre ,Iraqi Jews ,Arabic Orchestra ,Jewish Israeli ,Jaffa Theatre ,Abd Al Halim ,Fredi Zadok ,Farid Sadeq ,Alsheikh Music School ,Jewish Syrian ,Jewish Orthodox ,Arabic Jewish ,Rabbi Shlomo Ibn Gabirol ,Rabbi Yehuda Halevi ,