Pros and Cons of Zoom and Teams for Remote Production Pros and Cons of Zoom and Teams for Remote Production Anthony Burokas of Stream4us discusses the limitations of using business chat apps such as Zoom, Teams, and Skype in pro live production such as the inability to correct color or edit isolated audio tracks and recommends ways to circumvent those limitations in this clip from his presentation at Streaming Media East Connect 2021. Page 1
Read the complete transcript of this clip:
Anthony Burokas: There s a big difference between business chat apps and video production apps. Sometimes there s a bit of pushback as to why the remote guest has to connect to your system. Why can t we just use WebEx or Teams or Zoom or Google Meet because that s what we use to do? The main reason is that those business chat apps are not designed to enable producers to get isolated audio we just call it ISO and video from each person separately. Business chat
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How the Pandemic Has Changed Live Music Streaming
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Learn more about live music streaming and streaming at scale at Streaming Media East Connect 2021.
Read the complete transcript of this clip:
John Petrocelli: In the pandemic, we ve seen an interesting evolution with live content. If you look at it predominantly through the live music industry, that s a $25 billion industry. That s largely on hold, and you ve got some of the most creative beings to walk this earth musicians, artists and songwriters they re stuck in their living rooms, in their bedrooms, just like all of us. I think there s been a really interesting evolution with the things that they ve been doing. Early on in the pandemic, you would see an artist perform on their phone and their living room or their bedroom. And I think the audience was interested in that kind of first wave of experience in that you were seeing somebody that you re a fan of in a
How the Pandemic Has Changed Live Music Streaming
See more videos like this on StreamingMedia.com.
Learn more about live music streaming and streaming at scale at Streaming Media East Connect 2021.
Read the complete transcript of this clip:
John Petrocelli: In the pandemic, we ve seen an interesting evolution with live content. If you look at it predominantly through the live music industry, that s a $25 billion industry. That s largely on hold, and you ve got some of the most creative beings to walk this earth musicians, artists and songwriters they re stuck in their living rooms, in their bedrooms, just like all of us. I think there s been a really interesting evolution with the things that they ve been doing. Early on in the pandemic, you would see an artist perform on their phone and their living room or their bedroom. And I think the audience was interested in that kind of first wave of experience in that you were seeing somebody that you re a fan of in a
See more videos like this on StreamingMedia.com.
Read the complete transcript of this clip:
Sassan Pejhan: Today, in a traditional streaming service which I guess most of your audience had experienced that last mile is a series of individual streams. And if it feels wasteful you re sending the same content, let s say for a popular sports program earlier, being replicated hundreds of times in that last mile. But the advantage is that those streams can be individualized and customized with custom apps with ATSE 3.0. You can have the best of both worlds. You re broadcasting it to everybody, but through the internet connection, you have the ability to individualize the ads and customize and stitch together for the end user. So this has benefits of spectrum-saving, as well as the benefits of customization.
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