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December 13, 2015
Scenes. >> theres sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the thing that makes it feel like toys, its a combination of two things, really. the first thing is when you see the focus is falling off, that immediately cues you to think that its small. and the second thing is the acceleration. when you look at things like the boats and the helicopters, th...
May 17, 2015
Angle, and it blurs out backgrounds and really focuses your attention on particular scenes and people within those scenes. >> theres sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the thing that makes it feel like toys, its a combination of two things, really. the first thing is when you see the focus is falling off, that immediately cues you to think that ...
January 4, 2015
>> this is the tilt shift photography. its a method of where youre actually shooting down at an angle, and it blurs out backgrounds and really focuses your attention on particular scenes and people within those scenes. >> theres sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the thing that makes it feel like toys, its a combination of two things, really. th...
February 23, 2014
Seem to bob up and down. thats what a smaller thing would do. >> for his new york miniatures, sam used a still camera and normal lens to shoot 35,000 digital images to create his stop-motion effect then played with focus and color in post-production. in chicago, wgntv producer tony litle also thought tilt shift technique would be a perfect way to promote his town and his tv station. but instead of shooting thousands of still images like sam, tony created stop motion in his video camera. >> we de...
October 6, 2013
Your attention on particular scenes and people within those scenes. >> theres sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the thing that makes it feel like toys, like a miniature, its a distinction of two thipgs, really. the first thing is when you see the focus is falling off, that immediately cues you to think that its small. and the second thing is th...
June 16, 2013
Your attention on particular scenes and people within those scenes. >> theres sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the thing that makes it feel like toys, its a combination of two things, really. the first thing is when you see the focus is falling off, that immediately cues you to think that its small. and the second thing is the acceleration. wh...
December 26, 2012
The first thing is when you see the focus is falling off, that immediately cues you to think that its small. and the second thing is the acceleration. when you look at things like the boats and the helicopter, they seem to bob up and down. thats what a smaller thing would do. >> for his new york miniatures, sam used a still camera and normal lens to shoot 35,000 digital images to create his stop-motion effect then played with focus and color in post-production. in chicago, wgn tv producer tony l...
November 11, 2012
Scenes and people within those scenes. >> theres sort of two ways people make these tilt shift images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the thing that makes it feel like toys, its a combination of two things, really. the first thing is when you see the focus is falling off, that immediately cues you to think that its small. and the second thing is the acceleration. when you look at things like th...
August 25, 2012
Certain scenes and the people in those scenes. >> theres sort of two ways people make these tilt ship images. on one hand, people use actual tilt shift lenses sometimes. but then people started figuring out ways to do it in post production. >> the things that makes it feel like toys is a combination of two things really. the first thing is when you see the focus is falling off, that immediately cues you to think that its small. and the second thing is the acceleration. when you look at things li...
March 18, 2012
>> there are sort of ways people make these tilt shift images. they use tilt shift lenses but then people found out ways to do it in post production. >> the things that makes it feel like toys is a combination of two things really. the first thing is when you see the focus is falling off, that immediately queues you to think thats small. and the second thing is the acceleration. so when you look at the boats and helicopters, they go up and down. >> he shot 35,000 digital images to create his sto...