Call it the #MeToo year. Women artists dominated the charts and critical thought, with 15 of the 20 coming from the distaff side of things. Only three “traditional” rock bands in the dynamic WAR ON DRUGS, with ADAM GRANDUCIEL channeling our own solitary quarantined spirits into a hopeful light at the end of the tunnel, while indie darlings PARQUET COURTS paid tribute to DAVID BYRNE by discovering their inner Afropop, if you’ll excuse the expression. And AJR made the UPPER ...