David McClister When writers, like myself, criticize Music Row’s stewardship of country music, it’s usually with the best interests of artists like Brit Taylor in mind. It’s never been about “pop” country. It’s about a business model that tells pure hearts and great voices to adapt or die, to fake it until they make it - and thereafter. The title of Taylor’s debut album Real Me rebukes this coercion at several levels, but the one that comes through the speakers is a voice of uncompromised grace, a voice The Biz couldn’t or wouldn’t let be.