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theatre, and much of international theatre, and much of international theatre, a lot of it came from peter brooke. was years and years ahead of his time, he broke down every wall that you can think of. you interviewed _ that you can think of. you interviewed in _ that you can think of. you interviewed in just - that you can think of. you interviewed in just a - that you can think of. you interviewed in just a few. that you can think of. you interviewed in just a few years ago, what was he like? he interviewed in just a few years ago, what was he like?— interviewed in just a few years ago, what was he like? he was 94 then, i met him a few _ what was he like? he was 94 then, i met him a few months _ what was he like? he was 94 then, i met him a few months before - met him a few months before lockdown. he was still working, incredibly, if he had the most incredible lust for life and lust for arts. incredible lust for life and lust forarts. he incredible lust for life and lust for arts. he was lit up from within, really, had some incredible zest for life. very courteous and enthusiastic, very charming man. tell us a bit more about his own life because he didn't come from a traditional theatre background? he: didn't. traditionaltheatre background? he: didn't. both his parents were chemists, jewish refugees from, i believe, that we are. he was a fairly prosperous, middle—class family from west london but i think he belonged to that generation who