John Adams Nashville Symphony/Giancarlo Guerrero The title of John Adams’s 2003 symphonic triptych My Father Knew Charles Ives intrigues and misleads. Adams’s dad did not know the celebrated American composer – at least, not literally. Instead, the work refers to shared familial connections with New England, where both Ives and Adams once lived. The first movement, ‘Concord’, evokes the sounds of Adams’s hometown (rather than the Massachusetts location from which Ives’s Second Piano Sonata takes its name). Here and in ‘The Lake’, Adams plays with pastiche, invoking Ives’s signature off-stage trumpets and layered, cross-purpose melodies. A short clarinet solo provides an autobiographical note to recall the instrument Adams learned as a child, while a solo piano represents his father’s own musicianship. ‘The Mountain’ is more recognisably Adams, discarding disparate polyphony in favour of a more homogenous swirl. Throughout, Giancarlo Guerrero and the Nashville Symphony have a steady handle on this deeply personal homage.