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John Adams: My Father Knew Charles Ives, etc


John Adams
Nashville Symphony/Giancarlo Guerrero
The title of John Adams’s 2003 symphonic triptych
My Father Knew Charles Ives intrigues and misleads. Adams’s dad did not know the celebrated American composer – at least, not literally. Instead, the work refers to shared familial connections with New England, where both Ives and Adams once lived. The first movement, ‘Concord’, evokes the sounds of Adams’s hometown  (rather than the Massachusetts location from which Ives’s Second Piano Sonata takes its name). Here and in ‘The Lake’, Adams plays with pastiche, invoking Ives’s signature off-stage trumpets and layered, cross-purpose melodies. A short clarinet solo provides an autobiographical note to recall the instrument Adams learned as a child, while a solo piano represents his father’s own musicianship. ‘The Mountain’ is more recognisably Adams, discarding disparate polyphony in favour of a more homogenous swirl. Throughout, Giancarlo Guerrer ....

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Adams: My Father Knew Charles Ives; Harmonielehre review – evocations of New England | Classical music


Last modified on Thu 21 Jan 2021 13.09 EST
Though the San Francisco Symphony brought it to London just a week after the premiere in 2003, My Father Knew Charles Ives has had few British performances since, and remains one of John Adams’s less well-known orchestral scores. It’s a substantial work – three movements lasting nearly half an hour – designed both as a homage to the two men mentioned in the title, and as an evocation of the New England in which they both lived and Adams himself grew up.
John Adams: My Father Knew Charles Ives; Harmonielehre album cover
His father didn’t actually meet Ives, but the composer thinks the two men might have had a lot in common – Ives’s father was a Connecticut bandmaster, and Adams’s own father played in a local regimental band, and both were inspired by the writings of the New England transcendentalists, especially Henry Thoreau. But it’s the impressionism of one of Ives’s best-kno ....

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