Read a few reviews of Abronia’s first two releases and chances are you’ll spot some recurring imagery. “When you listen to these songs you can easily imagine them being the score for grand Jodorowsky desert scenes,” Record Crates United’s Keith Hadad wrote about the Portland band’s 2019 album The Whole of Each Eye. Similarly, Dan Goldin of Post-Trash described the album's “scorched earth psych” as “a rattlesnake in the burning sun, determined and dangerous.” A...
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