palatable for humans. in our case, one of the things we did was we wanted to create a sort of palette of textures that wouldn't sound like anything we'd heard before. those made up of a lot of those puzzle pieces that i gave back to max and it was sort of this — this challenge of like, 0k. 0k, max, here's the craziest samples that you've probably ever had to work with. but they all — they all are kind of cohesive because they come from this — this theme that we started with, so let's see what you can do with this. # i want to be on time. # up there in the clouds. when you think about al or computers making music, usually we think of like bleep blorp, you know, kind of quantised autotune. what i was surprised by was that the majority of the content we were creating