but in terms of, yeah, there's definitely... i mean, there's the george harrison quote where he says he's scared to touch the piano because he might be touching someone else�*s note. and there's definitely a feeling of that in the studio sometimes, if you... i personally think the best feeling in the world, the best feeling is the euphoria around the first idea of writing a great song — like, the first spark, where you go, "oh, this is special, we can't spoil this, this is amazing." but that feeling has now turned into, oh, wait, "let's stand back for a minute. have we touched anything?" you find yourself in the moment second guessing yourself. how do you react now if someone basically lifts one of your melodies or one of your lyrics? i mean, would you go after them or...? the amount of times that it's happened and it's just... i don't want anything to do with it. just do you, do you. i don't care. and this is not in any way to say