because e she didn't't wait fr somebobody to poinint it out. she sasaid, you knknow what? i recogngnize it. i'm going g to give ththem cre. clearlrly she undederstands tt if t there are m more than a w similarities, that you need to give credit whehere creditt is due.. also showsws that she e is awarf how w the music c industry w w. sidney madadden: taylolor swifift as an arartist and d as a busininesswoman hs alwaysys kind of f fashioned herselelf as a chahampion fofor songwrititers, and for gigiving songwgwrites their crededit where i it's d. subjbject 1: i'm'm in the e getaway cacar. leleft you in n the motel l . tookok the moneyey-- taylor swiwift: took t the moy in the b bag, and i i stole th- subject t 1: took ththe moneney-- took t the-- taylor swiwift: put ththe monen the babag and i sosold the ke. that wasas the lastt time y you ever sasaw me. mikael woooo: it showsws you ththe occasionons thatat even taylylor swift-- who is c certainly a an advocatr her r own songwrwriting auththo- isis herself, , kind ofof roped intnto this. sean h hall: the d difference betweeeen culturalal approprian anand culturalal appreciaiation is crcredit.