about horror. it's about dread. from the very first frame, something grabs your solar plexus and pulls on it. nobody uses silence like stanley kubrick. >> mom! >> it was as if i had been in the overlook hotel for two and a half hours. he creates a pacing where it overtakes the way you're breathing and the way you're existing, and you're in there. in all kubrick films, he controls you. >> kubrick's steady cam work in "the shining" broke new ground. the steady cam gave stanley a chance to put us in a scene that didn't have any time constraints. you get so hypnotized being behind that tricycle. you don't even see his face. you're behind it, which leads to one of the scariest shots in the movie.