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Watch: 'The Colors of Alex Garland' Cinematography Retrospective

Another gorgeous new supercut video created & edited by the talented Luís Azevedo. The Colours Of Alex Garland (it's spelled "colours" because Little White Lies is a UK film magazine) is a supercut looking at the many colors and images in Alex Garland movies – a sci-fi visionary. They created this for the upcoming release

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Listen Closely: 'The Sounds of Christopher Nolan' Supercut of Sound FX

Listen Closely: 'The Sounds of Christopher Nolan' Supercut of Sound FX
firstshowing.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from firstshowing.net Daily Mail and Mail on Sunday newspapers.

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Watch This: A Heartfelt Tribute to 'The Best Movie Animals of 2022'

One more look back at the movies of 2022 is a special tribute to The Best Movie Animals of 2022. This lovely video was edited by Luís Azevedo for Little

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Watch: 'The Vega Brothers' - A Fun Fake Trailer for a Tarantino Movie

I don't think you understand the kind of people we're dealing with, honey. So what is Tarantino making next? Who knows! Here's something fun while we wait

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Watch: 'The Transformation of Anthony Hopkins' Tribute to a Master

"Since I was a child, I've always loved a good story… I believe that stories helped us to ennoble ourselves to fix what was broken in us, and to help us become the people we've dreamed of being." Introducing… 2021 Academy Award winner
Anthony Hopkins! One of the best actors of all-time. Hopkins just won the
The Father, a heart-wrenching film about how hard it is to live with dementia. This is actually his second Oscar win - he also won Best Actor for
The Silence of the Lambs (of course!) back in 1992. and he has been nominated a total of six times (so far). Video editor Luís Azevedo put together this lovely

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The Art and Nostalgia of Movie Studio Logos

THX crescendo
Welcome to
The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about what makes a great movie studio logo.
Who doesn’t love a good opening shot? Blood-red roses swaying against a pristine white picket fence tell you everything you need to know about the suburban horror of
Blue Velvet. The bright, sparkling eye that opens
Blade Runner reflects not only plumes of industrial flames but the oracular imagery of the film to come.
But most movies don’t start with the film itself. First come the logos: the (sometimes wildly long) string of corporate thumbprints from the film’s production companies and distributors. And some production logos are built better than others. Some incorporate evocative symbols to get moviegoing audiences in the mood: fireworks; the open sky; physics-defying light sources.

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