With The Holdovers, Alexander Payne and Paul Giamatti Triumph Again
Set in 1970, the film consciously emulates the best of that decade's cinema
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Set in 1970, the film consciously emulates the best of that decade's cinema
Oscar-worthy independent films make their way to Cincinnati this month, and the Speed Art Museum Cinema beckons in Louisville.
Those who disliked 'Sideways' or 'Nebraska,' should give 'The Holdovers' a shot. They might find themselves genuinely amazed by it.
The film is not only set in 1970, but also consciously emulates the period’s 35mm film grain, analog sound, and formal devices
While attending TIFF in September, Payne sat down with The Globe and Mail to discuss making small old-fashioned films in an industry obsessed with the big new thing