In Art Conservation, There Is No Perfect Solution
Conservator Rosa Lowinger reflects on her time working at LACMA in the 1980s in an excerpt from her new memoir, Dwell Time.
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Conservator Rosa Lowinger reflects on her time working at LACMA in the 1980s in an excerpt from her new memoir, Dwell Time.
The Rosalinde and Arthur Gilbert Collection, photographed on November 15, 2016. (The Rosalinde and Arthur Gilbert Galleries. © Victoria and Albert Museum, London) LONDON (Jewish News) — One day in 1969, Arthur Gilbert, a Jewish immigrant to Los Angeles from London, wandered into an antique shop on the city’s upscale Rodeo Drive – and fell in love. Specifically, he fell in love with an almost forgotten and startling art form — what Gilbert called micromosaics — thousands and thousands of tiny pieces of glass that form a picture, almost indistinguishable from a painting. The techniqu...