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the floor every day. # these are dangerous days. # to say what you feel is to dig your own grave. fight the real enemy. people say it derailed my career. but i think it re railed my career, because i didn t want to be a pop star. # so happy christmas. # i love you, baby. # i can see..#. it s true i m out of it most of the time, but i can write songs when i m out of it. in fact, it s easier for me. # ..singing galway bay. # and the bells are ringing out for christmas day. #je t aime. #je t aime, oui, je t aime. the vatican and the bbc banned it just because of the heavy breathing without realising the beauty of serge s text, which was i love you, nor do i. # oui, je t aime. # moi non plus. wouldn t it be wonderful if there were no more goodbyes? you re wealthy, good looking, intelligent, charming. i should have known better than to get mixed up with someone like that. you re not making any sense. i don t have to make sense. i m italian. dramatic aria plays. lucy! i use ....
and so she didn t allow people to call me stupid or any of the words that lots of people had to deal with. i know i m talking a lot about my mum, but i. i was very blessed to have the woman that i had as a mother because she was just odd enough to recognise the oddity in her child. and that was kind of groovy. i read that you left school very early, before you were supposed to. yes. ..so how were you educated? i was educated all over the place. i made a deal because i couldn t take high school. i couldn t do it, it was really hard. and my mother said, listen, you cannot run in the streets, but what i will do with you is, we will together find the places where you can go, to the museums, you can go to a lecture. we will find these places together. and when i come from work and i say to you, what did you learn today? where did your mind go? , you have to tell me. and i was lucky enough because i. you need to show me things, i don t. i m not a great reader. you ha ....
ah, well, it s actually still, for me, very exciting to be here. but i m trying to understand what has happened to this land of yours, because when you arrived here, this was an intensively farmed land, wasn t it? it was. my husband, charlie, inherited it from his grandparents when he was in his early 20s, and this was back in the 1980s. and every inch of the land was ploughed, it was producing arable crops and dairy. and we fully expected to be farmers for the rest of our lives. mm. 17 years on, we were £1.5 million in debt, tearing our hair out, and realised that, you know, this is very marginal land. we re walking on 320 metres of clay, over a bedrock of limestone, and it s an absolute pig to farm. so you were literally close to going out of business? yeah, the farm was a failing business. and we did everything we could. we diversified, we tried different crops, we tried different cows. we sold ice cream. we did everything we could. but always it was this clay that ....
who s a creative director from visual effects house framestore, now, it s important to remember always when you re dealing with this kind of stuff, that the ai doesn t understand what it s drawing. and actually that s what gives it its unique, quirky animation style. and actually that s what gives it its unique, quirky animation style. you can see in that robot there, the controls on the front, all the buttons are rippling and glitching. yeah. it can t keep them consistent over the number of frames you ve animated it. so thatjust seems to be part of the thing where it doesn t necessarily understand what needs to stay the same in the animation. funnily enough, actually, there s a moment where the girl robot spins her head around, and that was something that itjust did serendipitously. i didn t ask for that, and itjust did it. i mean, it s one of the interesting things about this, the sort of serendipitous nature of it giving you something unexpected, which is also part o ....
i get to work here. and itjust makes me like show up more. you feel happy being in this space. i can see that. and i m actually quite. when i cook, i m quite manic about cleaning up as i go along, unlike my husband, who leaves a sort of minor nuclear disaster. that s me! iam. how can you cook like that? ..a total disaster. and then ijust throw everything in the sink and it s a big pile of dishes. and then wejust. we work our way through it. by the way, you have so many cookbooks. i have a few. out of the corner of my eye. i collect cookbooks, but nothing like on the scale that you do. i m obsessive. can we have a peek? can we have a look? come on. i love that. this is my collection of things that i use almost all the time. if i m looking for. like, what would a good french bavette, like a flank steak be? i ll just start looking in french cookbooks and just say, oh, that s interesting. julia child would do this and patricia wells would do that, and just kind of coll ....