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She also inspired from different elements. like, you can see these mosaics, like from maybe byzantine or islamic art and architecture, the patterns from ottoman stained glass... with the kind of black leading in between? yes. tell me a little bit about her and thatjourney that comes, ultimately, into this. she was born in 1901 into a very aristocratic ottoman family, and she was one of the first turkish women to go to the art school. in 1928, she travelled to paris, where she studied with the cubist artists. so she was part of the international avant—garde movement, and she kind of defined h...

And she got the influence with a variety of cultures, not only the ottoman, turkish, but also mediterranean, all these cultures. she makes all the influences of the abstraction combined with her rich heritage. but in a way, this is her unique vocabulary. i mean, you can see how she expressed her feelings, creating this very unique universe. so what happened ? because she kind of, like, drops off the map from that western—centric kind of perspective. ithink... she was a woman, and she was a muslim, but she kind of came back to the map again with all these women artists we see all around the w...

It was 1981 when a 25-year-old Kwon Nyung-ho, filled with a pocketful of dreams and desires to see the celebrated works of Old Masters in person, set foot on European soil for the very first time in his life.

It does not mean that you are. it does not mean she actually is biased. i am not saying she actually is biased. but for the country to trust her judgment in this case is just too big and ask after what she has already done. >> and that ruling -- to move up one layer of conceptual abstraction here, they sort of trump versus the loss story that we followed now throughout, judges play a really unique role, right? when you look at other societies that are in the midst of democratic decline or mired in corruption, judges are a central point of contention. like, when italy was battling the mafia, it...

A new survey of abstract painting at Gagosian in London boasts over 40 artists to offer a complete look at the state of abstraction today.