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Supported by The Miranda Family, Latiné Musical Theatre Lab will be hosting an internal industry table reading of the musical AZUL, in August 1st, as part of the Lab's Table Reading Series.
While the play-with-music has its fair share of interesting and even poignant moments, SCR's overall production feels surprisingly low-stakes, and only really becomes much more lively when it reaches its celebratory music-filled finalé. With its stories delivered via monologues, it becomes difficult to really be connected to the play's characters.
Royal Ballet legend Carlos Acosta returns to the Royal Opera House for five crowd-pleasing shows celebrating his 50th birthday and extraordinary career on and off stage, alongside a stellar bunch of fleet-footed friends.
The ten-year anniversary memoir is at once an encyclopaedia for the uninitiated and an emotional roller coaster ride for longtime fans.
Strong performances, choreography and direction highlight production of the tuneful and quirky 1972 Broadway show