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Biz Buzz: Eric Sanborn of The Metropolitan Ballet

Boston Ballet scores with Kingdom of the Shades and Carmen

Complementary tales of love gone wrong, “Kingdom of the Shades” and “Carmen” make for a thoughtful program, and Thursday’s opening-night performance was superb.

Choreographers! Enough with the reworkings of Carmen and Frankenstein!

Carmen and Frankenstein are without a doubt two of the most over-worked tropes in our culture, the myths of the evasively seductive gypsy and the human monster machine being lazily recycled and plundered and vulgarised in various forms to the point at which their authentic primal power has been altogether deflated. So it was with

Stars from National Ballet of Cuba shine in Italy

Stars from National Ballet of Cuba shine in Italy
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Ballet Hispanico

Ballet Hispanico Ballet Hispanico is not only one of the nation’s most renowned Latino dance organizations, it is also a catalyst for social change, providing a haven for Black and Brown families seeking place and artistic sanctuary since 1970. By creating the space for Hispanic dance and dancers to flourish, Ballet Hispanico uplifts marginalized artists and youth, which, combined with the training, cultural pride, and the power of representation, fuels the organization’s trajectory. For its stop at the Mahaiwe, the company will perform Línea Recta by Annabelle Lopez Ochoa, ¡Si Señor! ¡Es Mi Son! (excerpt) by Alberto Alonso, Danse Creole (excerpt) by Geoffrey Holder, Buscando a Juan (excerpt) by Eduardo Vilaro, and 18+1 by Gustavo Ramírez Sansano.

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