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The WZB, conceived a year later as part of the Internationale Bauausstellung (IBA) program, seemed to breach the codes of modernism even further. Its pavilions, diagramming historical building types, decked out in bright pink and blue stripes, and huddled behind an ornate late-nineteenth-century entrance block, seemed to many British and European critics to be a betrayal of the ethic of the Modern Movement.
As part of Archinect’s In-Depth: Artificial Intelligence series, Niall Patrick Walsh reported out from a conversation with Morehshin Allahyari about among other things a
Forum: Izzy Kornblatt looks to the Enlightenment to understand the lavishly immersive $2.3 billion venue.
The Florentine Codex is online and searchable in three languages. Plus, "Spring Awakening" on stage and a painting reclaimed, in our weekly arts newsletter
Anthony Vidler, an architectural historian who, beginning in the 1960s, reshaped his field by setting aside dry chronologies of styles and movements f