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Opera Atelier, a company known for preservation, adapts well in the digital, COVID age of the arts


The Globe and Mail
Opera Atelier, a company known for preservation, adapts well in the digital, COVID age of the arts
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Bruce Zinger/Opera Atelier
It’s hard to remember an Opera Atelier production that has come with as much anticipation, and out of as much perseverance, as its latest creation,
Something Rich & Strange.
The pastiche-style program of arias and ballets, both baroque and brand new, was originally slated for October, opening the Toronto opera company’s 35th anniversary season at Koerner Hall. It was to be shown to a small audience of 50, in accordance with the COVID-19 restrictions at the time, and livestreamed to a larger audience online. ....

Handel Semele , Koerner Hall , Jeannette Lajeunesse Zingg , Lajeunesse Zingg , Tyler Gledhill , Colin Ainsworth , Measha Brueggergosman , Mireille Asselin , Edwin Huizinga , Gerard Gauci , Purcell King Arthur , Marshall Pynkoski , Opera Atelier , Something Rich , New York , Metropolitan Opera , Tafelmusik Baroque Orchestra , King Arthur , Marcel Canzona , Jeannette Lajeunesse , Atelier Ballet , கொஏர்நேற் மண்டபம் , ஜநெட் ளஜேஉநெஸ்செ ஜின்க் , ளஜேஉநெஸ்செ ஜின்க் , டைலர் க்லெட்‌ஹைல் , கொலின் ஐன்ஸஒர்த் ,