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AK vs AK review – ingenious meta-feud of Bollywood heavyweights


Bollywood postmodernism is nothing new: Shah Rukh Khan stalked himself through the ultra-knowing Fan four years ago. What Kashyap and Motwane bring to the genre, assisted by Netflix’s hands-off approach to censorship, is a sharper edge. Motwane and co-writer Avinash Sampath slyly reference Taken, but a closer narrative precedent would be 1996’s The Fan, with Kashyap in the De Niro role of marginalised malcontent and his schemes updated for an image-saturated age. At one point Kapoor dashes into a police station, which rapidly fills up with officers keener to snap selfies with the actor than hear his complaint; when they do, it’s met with applause – the assumption being that their hero is rehearsing a monologue. ....

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AK vs AK Movie Review: Anil Kapoor & Anurag Kashyap's Reel-Meets-Real Is The Most Experimental Experiment To Happen In Bollywood!


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Director: Vikramaditya Motwane
A Still From Netflix’ AK vs AK Featuring Anurag Kashyap & Anil Kapoor
What’s Good: Nothing is ‘regular’ about it and as a result everything comes with a surprise tag, listening to Anil Kapoor hurling abuses is the best thing happened to my ears since I’ve got that eardrum repaired
What’s Bad (for other films): It inaugurates a new format setting the bar so high that I don’t think anyone will even try to explore for a long time
Loo Break: It’s a little over 100 minutes keeping you on the edge of your seats & won’t let you hit that pause button ....

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Vikramaditya Motwane on AK vs AK: 'Anil and Anurag are both naturally fantastic in their parts'


Sacred Games, is excited about 
AK vs AK, a film he has been working on for seven years. With Anil Kapoor and Anurag Kashyap in the lead, the film [releasing on 24 December on Netflix], follows an accomplished director (Kashyap), who kidnaps the daughter of a veteran Bollywood actor (Kapoor) and shows the latter’s desperate search for his daughter (Sonam Kapoor) in real-time – with cameras rolling for 10 hours. The actor’s quest in finding his missing daughter forms the premise, blurring the lines of real and reel.
Shot on several locations on the streets of Mumbai, there were many challenges shooting this film-within-a-film, says Motwane who wanted to make a masala, commercial movie and had this idea from a writer friend (Avinash Sampath based in Amsterdam) for seven years. The biggest challenge for him was finding the right pitch (for performance) for both Kapoor and Kashyap. “Now the film is  ....

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