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Harn Museum examines Black life in new "Shadow to Substance" exhibition Ayana V. Jackson, Sighting in the Abyss II, from the series Take Me to the Water, 2019. GAINESVILLE, FLA .-The Harn Museum of Art at the University of Florida collaborated with UF College of the Arts, Museum Studies Professor and UF Graduate Student in the Department of English to organize and present its newest exhibition Shadow to Substance on view from July 27, 2021 to February 27, 2022. The exhibition represents a chronological arc from the past to the present, and into the future by displaying historical photographs ...
Star Chicago Gallerist Mariane Ibrahim Is Opening a New Space in Paris as International Art Dealers Rush to the French Capital "The global is local and vice versa," Ibrahim says of her thinking. Mariane Ibrahim. Photography by Philip Newton. Courtesy of Mariane Ibrahim Gallery. Art dealer Mariane Ibrahim, who recently moved her influential gallery to Chicago from Seattle, has joined a growing number of gallerists expanding to Paris. As Artnet News reported recently, a combination of real-estate opportunities, Brexit fallout, and a renewed sense of vibrancy is turning the City of Lights into a...
Mariana Ibrahim Photo: Sofia Giner. March 08, 2021 at 7:08pm Just two years after moving her eponymous gallery from Seattle to Chicago, Mariane Ibrahim is to open an outpost in Paris in response to growing demand from European collectors for work by Black artists, Artnews reports. The new gallery will open in September in Paris’s 8th arrondissement, with a group show; among the artists Ibrahim currently represents are Amoako Boafo, Lina Iris Victor, Clotilde Jimenez, and Ayana V. Jackson. The gallerist, who grew up in Somalia and France before leaving Paris for the ...
Thursday, February 18 12:00 p.m. - 12:45 p.m. EDT Join us for a special conversation between photographers Renée Cox and Ayana V. Jackson, moderated by curator and writer Monique Long. The event will include a special introduction by Elizabeth A. Kahane, Aperture trustee and chair of the Paul Strand Circle Committee. Renée Cox has reimagined art historical tropes, historical narratives, and referenced popular culture primarily using her own body and occasionally those of her children, friends, and family. Many of her earlier works stand in direct opposition to the preceding generation’s ...