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A few months ago, we shared the exhibition by Trenton Doyle Hancock at Shulamit Nazarin, Good Grief, Bad Grief, but this morning we saw the short...

As an arts reporter I see so much in a year, but these works stayed with me the longest — and even began entering my dreams.

What do you get when a consummate graphic talent and profound thinker spends two years in Covid seclusion? “Good Grief, Bad Grief,” Trenton Doyle Hancock’s second exhibition in Los Angeles. A group of roiling, byzantine mixed-media paintings detail the urban development of the Vegans, central characters in Hancock’s fictional universe. Three Vegan suburbs and one city (each the subject of an individual work), as well as the epically cinematic The Skint Alterpiece: Vegans Make Deposits at the Tofu Bank, 2020, are rendered in black, white, and touches of red. Hancock’s images are as a...

Exploring a mythology that spans over twenty-five years, Trenton Doyle Hancock has created a cast of characters, a lexicon of symbols, and an evolving...

a href= https://www.shulamitnazarian.com target= _blank Shulamit Nazarian /a is presenting Good Grief, Bad Grief, a solo exhibition by the Houston