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Though set in 1980s Poland, Jan P. Matuszyński’s second feature is deliberately short on historical context, highlighting the universality of its themes: state violence, cover-ups, relentless scapegoating, and deadly familial dilemmas.
Two teenage boys fall victim to state-sanctioned violence in a faithful retelling of an infamous true story
An account of a murder in early 1980s Warsaw by communist-era police mixes John le Carré-ish intrigue with a documentary-like detachment