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Guitar virtuoso Julian Lage shares "Boo's Blues," the second song from his soon-to-be-released Blue Note Records debut album, Squint, out June 11. The loping swing feel of "Boo’s Blues" exemplifies Lage’s ability to write with his bandmates in mind while echoing his influences. “I like to imagine this music being played by the titans of bass and drums,” Lage says. “I'm imagining Billy Higgins, I'm imagining Art Taylor, I'm imagining Wilbur Ware, even though I’m writing explicitly for Dave and Jorge.”

Bill Spilka/Getty Images Billie Holiday performs at the Newport Jazz Festival on July 6, 1957  in Newport, Rhode Island. If you purchase an independently reviewed product or service through a link on our website, we may receive an affiliate commission. The release of the Lee Daniels' Hulu Originals film, The United States vs. Billie Holiday, has inspired new and longtime jazz enthusiasts to learn more about the musical geniuses behind their favorite records. Some of the best books about jazz don't just chronicle the genre's history in the 20th century and beyond — they also pull back the ...

Matthew Alec & The Soul Electric – Cleveland Time (Cleveland Time): “Cleveland Time marks the first album release from the group that features Matthew Alec (tenor saxophone and EWI), Brian Woods (piano, keyboards, organs, plus vocals on “Give What You Take” and “Baby You Got Me”), Steven Forest Sanders (guitar, plus vocals on “Enigma Man”), Jared Lees (bass), Jeremiah Hawkins (percussion, plus drums on “Baby You Got Me”), and Leon Henault (drums). The album also features special guests Tom ‘Bones’ Malone (trombone and horn section on “Cleveland Time”), MINUS THE A...

Welcome Welcome to the online home of Mystery Scene Magazine, your guide to the best in crime and mystery fiction. Each print issue offers in-depth articles, author interviews, provocative essays, and information for collectors. We review books, TV and streaming shows, films, reference works, audiobooks, short stories, and more. Our print edition comes out four times a year. It's in a 68 page, full color, glossy magazine format. Subscribe here. Most of the content on this website is original and available online only. Enjoy! Follow Us On

At the Scene, Spring Issue #167 Hello Everyone! Look who we found hiding out with the crockery at a Connecticut estate sale! Because the sale included items from many sources, there’s no easy way to establish ownership. But, of course, there are only a few people that it could have belonged to. Was it Jack Webb’s Edgar for the radio drama Dragnet? It would be fitting if it once belonged to John Collier. For this issue, Art Taylor assigned himself the task of reading all the Edgar short story winners from the founding of Mystery Writers of America to the present. In 1952, Collier’s “o...