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HARDtalk

with a us—based philosopher, john martin fischer, who's extremely enthusiastic about this research and about what it could achieve for humanity. you much more sceptical. basically, his message to you is, you are a curmudgeon that, just like, for example, thomas malthus in the 18th century, who couldn't see the transformative effect that technology would have on food production, you can't see the ways in which the human spirit of sort of innovation and development will allow us to live longer and benefit from that rather than suffer from it. well, john is an excellent philosopher, based in sunny california, and he likes to contrast his sunny, californian optimism with my english melancholy. curmudgeon, he calls you. curmudgeon. exactly. and... but i think we need to be cautious and we need to look at the possible downsides. broadly speaking, i'm incredibly excited by new technologies, life—extension technologies and lots of others.

John-martin-fischer , Research , Curmudgeon , Us , Humanity , Message , Basically , Example , Ways , Technology , Sort , Who-couldn-t

HARDtalk

he said, "it would be a world where they behave like ranchers "watching a herd of cattle," that is the likes of you and me, "whose members change with the years, while they remain in control." that's dystopian. that is truly scary. yes, it's terrifying. time is the most precious thing that we have, you know. discrepancies in life expectancy now, here in england, for example, might be about ten years between rich and poor, or different areas of the country. and whenever that's reported on, it's rightly with a sense of outrage. you know, something must be done. now, imagine if those differences weren't a decade, but were centuries or thousands of years. i hope we would find that unacceptable. you, in your latest book, entitled should you choose to live forever?, you debate with a us—based philosopher, john martin fischer, who's extremely enthusiastic about this research and about what it could achieve for humanity. you, much more sceptical. basically, his message to you is, you are a curmudgeon that,

World , Members , Ranchers , You-and-me , Watching-a-herd-of-cattle , Dystopian , Example , Sense , Areas , England , Thing , Life-expectancy

HARDtalk

between the rich and poor or different areas of the country and whenever that is repotted it is reported with a sense of outrage, rightly. —— reported. imagine if those differences were centuries or thousands of years, i would were centuries or thousands of years, iwould hope were centuries or thousands of years, i would hope we would find that unacceptable. in your latest book — find that unacceptable. in your latest book you _ find that unacceptable. in your latest book you debate - find that unacceptable. in your latest book you debate with i find that unacceptable. in your latest book you debate with al latest book you debate with a us philosopherjohn martin fisher who is enthusiastic about this research and what it could achieve. you are much more sceptical. basically, his message to you is, you are a commander in, just like thomas malthus in the 18th century who could not see the effect technology would have on food technology, you cannot see the way in which the human spirit of innovation and development will allow us to live longer and benefit from that rather than suffer from it.- and benefit from that rather than suffer from it. john is an

Sense , Thousands , Areas , Rightly , Outrage , Country , Differences , Research , Book , Us , John-martin-fisher , Al

HARDtalk

philosopher, john martin fischer, who's extremely enthusiastic about this research and about what it could achieve for humanity. you, much more sceptical. basically, his message to you is, you are a curmudgeon that, just like, for example, thomas malthus in the 18th century, who couldn't see the transformative effect that technology would have on food production, you can't see the ways in which the human spirit of sort of innovation and development will allow us to live longer and benefit from that rather than suffer from it. well, john is an excellent philosopher, based in sunny california, and he likes to contrast his sunny, californian optimism with my english melancholy. curmudgeon, he calls you. curmudgeon. exactly. and... but i think we need to be cautious and we need to look at the possible downsides. broadly speaking, i'm incredibly excited by new technologies, life—extension technologies and lots of others.

John-martin-fischer , Research , Humanity , Message , Basically , Example , Ways , Technology , Curmudgeon , Sort , Who-couldn-t , Innovation

The Context

they want to talk about. elise, why don't you kick yourself?— don't you kick yourself? i want to talk about the _ don't you kick yourself? i want to talk about the shakira _ don't you kick yourself? i want to talk about the shakira statue - don't you kick yourself? i want to talk about the shakira statue in l talk about the shakira statue in columbia but i heard you artie spoke about that. so, recently, today i saw this thing that went viral on tiktok about this new cream flying off the shelves in sephora but apparently it attracts spiders and lots of the reviewers are saying watch out for this lotion, i love it but one of the ingredients is kryptonite to wolf spiders. basically, don't bite. so, no, this company, which is called soul that genaro, it says it sephora for 48 bucks here in the us and i might say there resilient bomb cream was very popular last year but this new product, after it was released

Elise , Thing , Why-don-t , Shakira-don-t , Statue-don-t , Talk , Shakira-statue-in-l , Shakira-statue-in-columbia , One , Spiders , Ingredients , Reviewers

This Cultural Life

from who i am and who i was. but the songs seem to be very personal. they appear to be usually written in the first person or reflecting aspects of your own life. are they? the next choice you've made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i thinkjeanie 0'hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that

Songs , Life , Person , Aspects , Matthew-warchus , Choice , Matilda-the-musical , Roald-dahl , Book , Adaptation , Programme , Royal-shakespeare-company

This Cultural Life

the cure, and you got the sense that he was someone who didn't get out much. yes. and that's very different from who i am and who i was. the next choice you've made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i thinkjeanie 0'hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that stage, my 2008 show.

Someone , Yes , Sense , Didn-t , The-cure , Songs , Matthew-warchus , Choice , Matilda-the-musical , Programme , Bit , Comedian

This Cultural Life

the next choice you've made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i thinkjeanie 0'hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that stage, my 2008 show. # only a ginger can call another ginger, ginger...# and he enjoyed it. it probably would've been a bit edgy for matthew. he wouldn't have necessarily agreed with everything i said,

Songs , Choice , Programme , Bit , Comedian , Matthew-warchus , Roald-dahl , Matilda-the-musical , Uk , Book , Adaptation , Touring

This Cultural Life

but the songs seem to be very personal. they appear to be usually written in the first person or reflecting aspects of your own life. the next choice you've made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had... i was now a bit more established as a comedian in the uk and i was touring, and i thinkjeanie 0'hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this at that stage, my 2008 show. # only a ginger can call another ginger, ginger...# and he enjoyed it. it probably would've been

Songs , Life , Person , Aspects , Matthew-warchus , Choice , Matilda-the-musical , Programme , Bit , Comedian , Roald-dahl , Book

This Cultural Life

like edward scissorhands crossed with robert smith from the cure and you got the sense that he was someone who didn't get out much. yes. and that's very different from who i am and who i was. #he # he wrote a book and it was generally well perceived... the next choice you've made for this programme is being commissioned to write the songs for matilda the musical. so you were approached by the director, matthew warchus, to create these songs for the adaptation of the roald dahl book for the royal shakespeare company. why did he ask you? well, this was 2008, and i had, i was now a bit more established as a comedian in the uk and i was touring and i thinkjeanie 0'hare, who was the literary manager at the rsc, pointed matthew towards me as a singer—songwriter, basically, who had some dexterity with the english language, arguably. and matthew came and saw my show, which was called ready for this, at that

Someone , Sense , Edward-scissorhands , Yes , The-cure , Robert-smith , Didn-t , Matilda-the-musical , Bit , Songs , Matthew-warchus , Programme