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Israeli musician Bar Zemach features shofar in latest performance - Israel Culture - Vimarsana News

Israeli musician Bar Zemach features shofar in latest performance - Israel Culture

While the ram’s horn has popped up in quite a few jazz gigs over the years, there has been precious little seen of the instrument in classical climes.

Source: jpost.com
Meeting Muti at age 10, Rustioni knew he wanted to conduct - New Delhi Times - India Only International Newspaper - Vimarsana News

Meeting Muti at age 10, Rustioni knew he wanted to conduct - New Delhi Times - India Only International Newspaper

Daniele Rustioni was a 10-year-old in the La Scala children’s chorus when he saw Riccardo Muti for the first time. “I want to be him,” Rustioni recalled thinking. “I was very — how can say? — loud as a kid. He said: `You should be a conductor because you are very extroverted.’” With his 40th…

MusicalAmerica - Daniel Barenboim Resigns from the Staatsoper - Vimarsana News

MusicalAmerica - Daniel Barenboim Resigns from the Staatsoper

Musical America is the web's leading business source for the performing arts. Find the latest industry news, careers and contacts at MusicalAmerica.com!

Daniel Barenboim leaves Berlin Staatsoper job after 30 years | iNFOnews | Thompson-Okanagan's News Source - Vimarsana News

Daniel Barenboim leaves Berlin Staatsoper job after 30 years | iNFOnews | Thompson-Okanagan's News Source

BERLIN (AP) — Daniel Barenboim on Friday announced his resignation as the general music director of Berlin's Staatsoper, a job that he has held for over three decades, saying that his health has become too poor to carry on.

Source: infotel.ca
Elsa Dreisig's fresh new take on Mozart: 'In this business, these "rules" we have are not actually real. It's first of all about interpretation' - Vimarsana News

Elsa Dreisig's fresh new take on Mozart: 'In this business, these "rules" we have are not actually real. It's first of all about interpretation'

For her new album, French-Danish soprano Elsa Dreisig has turned on its head every preconception about the characters in Mozart’s operas, portraying credible, sympathetic women who have lived real, often messy lives, discovers Neil Fisher