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Whether by accident or design, the mathematical theme of Ed Sheeran’s previous album titles (+, ×, ÷ and = respectively) resolves rather neatly with – (Subtract). I interviewed Sheeran around the time of × and found him likeable enough but a bit out of reach. Multiplication did indeed seem to be foremost on his mind.
The Glass Menagerie directed by Jeremy Herrin is a bit of an eyeball-scrambler. The action takes place on a huge black platform flanked by 1930s antiques: a typewriter, a broken piano, a reel-to-reel tape recorder and a smattering of Anglepoise lamps. This cryptic setting suggests that the play is being developed in a Museum of
Cannes 2022: Léonor Serraille closes out Cannes' main competition with a family story whose touch is more tactile than didactic
Alessia Cara’s moving and mature album is a sleek ode to in-between states, whether they are relationships or her career track as a pop star.
By Jessica MasonDec 24th, 2020, 11:15 am One thing I’ve been thinking about a lot this year is how Christmas isn’t always happiness and light. Christmas is also spooky, and lonely, and even sad. It’s a time that can make us feel safe and loved, but it’s also a time that can make us feel alien and confused. Christmas is a time for ghost stories and introspection, for darkness and dreams. Christmas is goth and maybe that’s why it’s such a huge part of the filmography of Tim Burton. Now, I think we can agree that most Tim Burton movies are holiday movies in some way, and usually, th...