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The right thing. >> mookie represents black rage. this is where we are. not enough people credit the maturity of what he did in terms of posing a question that he then did not answer. a lot of people like to make films and button it up and making sure you feel a certain way about a certain thing and spike has always been determined to ask you a question, it force you to confrontation with your own feelings. >> '80s was an incubator for new voices and visionaries and new ideas. >> seize the day. >> cinema to me has always been an escape from whatever my life was at the time. >> what i really lo...

For Black History Month, here are 25 great civil rights songs, from Sam Cooke, The Impressions, James Brown, Bob Dylan to Lauryn Hill, Kendrick Lamar.

End of that movie is black rage. it was important, i think, for spike to say, this is where we are. >> not enough people credit the maturity of what he did, in terms of posing a question that he then did not answer. lots of people like to make films and button it up, making sure that you feel a certain way about a certain thing. and spike has always been determined to ask you a question. it forces you into confrontation with your own feeling. >> the '80s was a time when so many new filmmakers got their start. the '80s was an incubator for new voices, new visionaries, new ideas. >> seize the da...

24 Jun 2021 The top U.S. military officer in the United States and President Joe Biden’s military adviser, Chairman of the Joint Chiefs of Staff Army Gen. Mark Milley is stoking controversy on the right and left after he defended studying critical race theory as a way to understand “white rage” during a House hearing on Wednesday. Milley, asked to respond to Republican lawmakers’ criticism of critical race theory being taught in the military, caused shock waves throughout the political world that were still reverberating the next day, when he defended it and tied “white rage” to t...

Yet, because they were so hidden, in both spaces, Waters has had to coax people in. She painted the railing outside Martyr Sauce pink this year, to show that the gallery is still there. “I always felt like a carney,” she says of trying to draw people in. “I’m like, ‘Step right up!’” The pandemic only exacerbated the struggle to show art underground. Martyr Sauce has no windows and, since it sits in the belly of an old building in a historic district, Waters had limitations on how much she could alter it to, say, improve airflow. So when Ebbets Field Flann...