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a href= http://www.maureenpaley.com target= _blank Maureen Paley /a is presenting the eighth solo exhibition by Hannah Starkey at the gallery, fol

/PRNewswire/ -- The International Women's Media Foundation (IWMF) today announced freelance photojournalist Samar Abu Elouf as the 10th annual recipient of its...

For over three decades, Pat Steir has been one of the leading painters in America. Her abstract waterfalls, with their rivulets of paint descending through cosmic spaces, discover unsuspected possibilities in the vocabulary of gestural abstraction, and reveal a profound spiritual dimension to contemporary art.

As editor in chief of Artforum from 1977 to 1980, Joseph Masheck published a series of five articles tracing ways that twentieth-century abstraction remained subtly rooted in Christian conceptualities and antetypes. With titles like “Cruciformality” and “Iconicity,” these articles were less concerned with religious iconographies (the ubiquity of cross-shaped structures in modernist painting, for example) than with understanding how nonobjective art was (re)processing religious logics, precisely while dispensing with iconographical and pictorial content.

I went in with an open mind. Instead I heard shouts from the echo chamber about the dangers of Trump supporters who happen to be Christian.