Dan Adler on Yuko Mohri's "Moré Moré (Leaky)," 2015–  – Artforum
Yuko Mohri has little interest in such packaged and standardized encounters, instead choosing to appreciate water as an unstable and unruly material. Leaks and floods of any sort, after all, are usually not good news—and that is certainly the case in the cities where she has exhibited or soon will, including Venice, where she is participating in next year’s Biennale.* “Moré Moré (Leaky),” 2015–, the artist’s ongoing series of kinetic works, offers multisensory enjoyments, often striking playful and absurdist notes that nonetheless can create a profound sense of unease and uncerta...