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This long-awaited epic makes superhuman strength an unsettling backdrop to family drama ‘Windsor-Smith does give us shootouts, stakeouts and chases, but Monsters is more interested in turning back the clock.’ Photograph: Barry Windsor-Smith ‘Windsor-Smith does give us shootouts, stakeouts and chases, but Monsters is more interested in turning back the clock.’ Photograph: Barry Windsor-Smith Thu 6 May 2021 02.30 EDT There are epic waits, and there’s the wait for Barry Windsor-Smith’s new epic. This great, grim 366-page slab of postwar angst began its life as a Hul...

Windsor-Smith is known for his work on Conan the Barbarian and lots of X-Men titles. Now, he's back with a passion project about a man subjected to ghastly secret government experiments.

Conan the Barbarian comics and thrilled to the vigorous lines of his X-Men titles over the years. Maybe you were delighted by his dreamy, intricate fantasy paintings in the '70s or discovered his work in the Opus retrospective volumes of 1999-2000. But even if you didn't do any of these things, you should still take a minute to see what Barry Windsor-Smith — Eisner Award Hall-of-Famer, genre-shaping fantasy artist and 50-year veteran of the comics industry — has been up to for the last three-and-a-half decades. Ever since the '80s he's been drawing, redrawing and refining one graphic no...

Monsters was a comic-book urban legend. Originally pitched in 1984 as an Incredible Hulk one-shot exploring Bruce Banner’s abusive childhood, the story was shelved because of the word “goddamn” and then later repurposed during Bill Mantlo’s run on the series, infuriating Windsor-Smith. The cartoonist shopped a revised, significantly expanded version of the book to different publishers—at one point it was going to be published at Vertigo—but Monsters never materialized beyond some artwork posted on Windsor-Smith’s website. Then, last year, Fantagraphics announced that it would ...

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